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action or later. Please see Debugging in WordPress for more information. (This message was added in version 6.7.0.) in /home2/wacggq0abkde/public_html/wp-includes/functions.php on line 6114Work: Aldi TV Spot “Frische, Qualität und Bio”.
Studio: Lugundtrug – Berlin.
Dir: -.
Role: Sr. Nuke Compositing Artist.
Commercial
It´s always nice to comp CG stadiums, you know, those nice lens-flares, foto-flashes, crowd simulations and all the fuss. The idea for this Aldi spot was to present two regular Aldi shop assistant getting magically in the middle of a football match, on a very very rainy day. The plates were shot with practical rain on set so as to restore as much as possible from it in comp. Obviously, this made the whole keying process way more challenging, although this helped us to have the nice rain to character interactions we would not have had with stock footage. On top of that, we added some more rain layers in different depths, taking close look at real-world examples. Overall, a very intense compositing work that took a nice deal of artistry to make it look right.
Work: Christmas Lotery 2012.
Studio: Entropy studio.
Dir: Tony Milanés.
Role: Nuke & After Effects Compositing Artist.
Tv commercial
Work: Audi.
Studio: Entropy studio.
Dir: –
Role: Nuke compositing artist.
Tv Commercial
When it comes to commercials, cars are generally one of the top stuff you want to work with. Especially when we are talking about hig-end ones like this Audi A8 Spot we completed at Entropy studio for Dubai´s market. VFX wise, the spot consisted essentially in a great deal of greenscreen shots along with FX simulation for the dust-storm we needed to recreate. Beautifuly shooted, I believe it stands as a nice commercial piece.
Work: Alitalia.
Studio: Entropy studio.
Dir: –
Role: Nuke compositing artist.
Tv commercial
Work: Ants Know Best.
Studio: –
Role: Original idea & director. Modeling, shading, compositing.
Personal project
Texture, material, color, pattern, shape. Indeed, when it comes to judging the latest sneaker trend, ants have the best perspective from where to judge and elaborate. I´m kidding, they don´t know a goddam thing, but it does sound funny, does not it? This idea, as you may have figured out, is the leitmotif for this fake commercial campaign I created for Nike as if Nike were actually my client. More specifically, for the stunning Nike Air Huarache ®. That´s pretty much all folks, I hope ants like it!
Technically speaking, for the accomplishment of these couple of shots we´ve deployed some cutting edge techniques as to how we created the models of the New Balance 970 ® & Nike Air Huarache ®, as well as the tree stump you can see in the background of the 1st shot. Our modeling team first worked out a set of raw photography that was then used for both building up and texture the models through photogrammetry. Specifically, around 150 photos were used for each model, achieving a level of detail that would have taken quite long modeling, sculpting & texturing hours to accomplish. The rest of the work was done both in Maya and Houdini, regarding animation, crowd simulation, dynamics and shading. Rendering was done in Arnold and compositing within NukeX.
]]>Work: Iglup Hiperexperiencia.
Client: Grandes Vinos.
Producer: DeuSens.
Art, VFX and Post: Rush VFX.
Open your phone’s YouTube app and clic the cardboard icon.
Once the screen is split, insert your phone in the cardboard glasses.
Put on your glasses and enjoy the experience!
Work: Geox Breath.
Studio: Trizz.
Dir: Oriol Puig.
Role: Nuke compositing artist.
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Last year Trizz Studio (www.trizz.tv) called me to help them with the compositing of their stunning brand new Geox commercials. Under the direction of Oriol Puig, we formed a team gathering some of the finest CGi artists.The result speaks for itself. Check their website for more info www.trizz.tv/Geox-Breathe